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Bezalel, working alone in the text's telling, builds the ark and its cherubim, the table, the golden lampstand hammered from a single piece of gold, and the incense altar — each matching the specifications of chapters 25 and 30.
c. 1446 BC on the early-date chronology this project foregrounds — continues the construction begun in chapter 35.
Full chronology →

Exodus 37 — The Mister Translation

A black-and-white line engraving of a rectangular wooden chest with a lattice-patterned exterior, resting on four short legs. Two long poles run through rings on its sides. On top, two winged cherub figures kneel facing each other, their wings arched upward and nearly touching above the center of the chest's flat cover.
The Ark of the Covenant
James Tissot, circa 1896 · The Jewish Museum, New York

⚠ Unlike Tissot's usual gouache narrative scenes, this is a plain reconstruction drawing — no camp, no worshiper, no Bezalel, just the object itself, rendered the way a careful reader of this chapter might sketch it while following the measurements verse by verse: the box, the rings, the poles that never come out, and the two cherubim facing each other exactly as v9 describes, wings spread above, faces bowed toward the cover between them.

The plainness is its own kind of honesty. Nothing here tries to guess at what the text does not say — no jewels, no ornament beyond what vv1–9 actually list. It is close to the least imaginative way this object could be drawn, which is exactly what makes it a useful companion to a chapter built entirely out of measurements.

Public domain · View the original
1
וַיַּעַשׂ בְּצַלְאֵל אֶת-הָאָרֹן, עֲצֵי שִׁטִּים: אַמָּתַיִם וָחֵצִי אָרְכּוֹ, וְאַמָּה וָחֵצִי רָחְבּוֹ, וְאַמָּה וָחֵצִי, קֹמָתוֹ.
And Bezalel made the ark of acacia wood: two cubits and a half its length, and a cubit and a half its breadth, and a cubit and a half its height.note
Y Bezalel hizo el arca de madera de acacia: dos codos y medio su longitud, y un codo y medio su anchura, y un codo y medio su altura.
cross-refs⤷ 36:1
2
וַיְצַפֵּהוּ זָהָב טָהוֹר, מִבַּיִת וּמִחוּץ; וַיַּעַשׂ לוֹ זֵר זָהָב, סָבִיב.
And he overlaid it with pure gold, within and without, and made a crown of gold for it all around.note
Y la cubrió de oro puro, por dentro y por fuera, y le hizo una moldura de oro alrededor.
3
וַיִּצֹק לוֹ, אַרְבַּע טַבְּעֹת זָהָב, עַל, אַרְבַּע פַּעֲמֹתָיו; וּשְׁתֵּי טַבָּעֹת, עַל-צַלְעוֹ הָאֶחָת, וּשְׁתֵּי טַבָּעֹת, עַל-צַלְעוֹ הַשֵּׁנִית.
And he cast for it four rings of gold, on its four feet: two rings on the one side of it, and two rings on the other side of it.note
Y fundió para ella cuatro anillos de oro, en sus cuatro patas: dos anillos a un lado de ella, y dos anillos al otro lado de ella.
4
וַיַּעַשׂ בַּדֵּי, עֲצֵי שִׁטִּים; וַיְצַף אֹתָם, זָהָב.
And he made staves of acacia wood, and overlaid them with gold.note
Y hizo varas de madera de acacia, y las cubrió de oro.
5
וַיָּבֵא אֶת-הַבַּדִּים בַּטַּבָּעֹת, עַל צַלְעֹת הָאָרֹן, לָשֵׂאת, אֶת-הָאָרֹן.
And he put the staves into the rings on the sides of the ark, to carry the ark.note
Y metió las varas por los anillos a los lados del arca, para llevar el arca.
6
וַיַּעַשׂ כַּפֹּרֶת, זָהָב טָהוֹר: אַמָּתַיִם וָחֵצִי אָרְכָּהּ, וְאַמָּה וָחֵצִי רָחְבָּהּ.
And he made a cover of pure gold: two cubits and a half its length, and a cubit and a half its breadth.note
Y hizo una cubierta de oro puro: dos codos y medio su longitud, y un codo y medio su anchura.
7
וַיַּעַשׂ שְׁנֵי כְרֻבִים, זָהָב; מִקְשָׁה עָשָׂה אֹתָם, מִשְּׁנֵי קְצוֹת הַכַּפֹּרֶת.
And he made two cherubim of gold; of hammered work he made them, at the two ends of the cover —note
Y hizo dos querubines de oro; de obra labrada a martillo los hizo, en los dos extremos de la cubierta —
8
כְּרוּב-אֶחָד מִקָּצָה מִזֶּה, וּכְרוּב-אֶחָד מִקָּצָה מִזֶּה; מִן-הַכַּפֹּרֶת עָשָׂה אֶת-הַכְּרֻבִים, מִשְּׁנֵי קצוותו קְצוֹתָיו.
one cherub at the one end, and one cherub at the other end. Of one piece with the cover he made the cherubim, at its two ends.note
un querubín en un extremo, y un querubín en el otro extremo. De una sola pieza con la cubierta hizo los querubines, en sus dos extremos.
cross-refs⤷ 39:4
9
וַיִּהְיוּ הַכְּרֻבִים פֹּרְשֵׂי כְנָפַיִם לְמַעְלָה, סֹכְכִים בְּכַנְפֵיהֶם עַל-הַכַּפֹּרֶת, וּפְנֵיהֶם, אִישׁ אֶל-אָחִיו; אֶל-הַכַּפֹּרֶת--הָיוּ, פְּנֵי הַכְּרֻבִים. {פ}
And the cherubim spread out their wings above, screening the cover with their wings, their faces toward one another; the faces of the cherubim were toward the cover. {פ}note
Y los querubines extendían sus alas hacia arriba, cubriendo la cubierta con sus alas, con sus rostros el uno hacia el otro; hacia la cubierta estaban los rostros de los querubines. {פ}
10
וַיַּעַשׂ אֶת-הַשֻּׁלְחָן, עֲצֵי שִׁטִּים: אַמָּתַיִם אָרְכּוֹ וְאַמָּה רָחְבּוֹ, וְאַמָּה וָחֵצִי קֹמָתוֹ.
And he made the table of acacia wood: two cubits its length, and a cubit its breadth, and a cubit and a half its height.note
Y hizo la mesa de madera de acacia: dos codos su longitud, y un codo su anchura, y un codo y medio su altura.
11
וַיְצַף אֹתוֹ, זָהָב טָהוֹר; וַיַּעַשׂ לוֹ זֵר זָהָב, סָבִיב.
And he overlaid it with pure gold, and made for it a crown of gold all around.note
Y la cubrió de oro puro, y le hizo una moldura de oro alrededor.
12
וַיַּעַשׂ לוֹ מִסְגֶּרֶת טֹפַח, סָבִיב; וַיַּעַשׂ זֵר-זָהָב לְמִסְגַּרְתּוֹ, סָבִיב.
And he made for it a rim of a handbreadth all around, and made a crown of gold for its rim all around.note
Y le hizo un reborde de un palmo alrededor, y le hizo una moldura de oro a su reborde alrededor.
13
וַיִּצֹק לוֹ, אַרְבַּע טַבְּעֹת זָהָב; וַיִּתֵּן, אֶת-הַטַּבָּעֹת, עַל אַרְבַּע הַפֵּאֹת, אֲשֶׁר לְאַרְבַּע רַגְלָיו.
And he cast for it four rings of gold, and put the rings on the four corners that were at its four feet.note
Y fundió para ella cuatro anillos de oro, y puso los anillos en las cuatro esquinas que estaban en sus cuatro patas.
14
לְעֻמַּת, הַמִּסְגֶּרֶת, הָיוּ, הַטַּבָּעֹת; בָּתִּים, לַבַּדִּים, לָשֵׂאת, אֶת-הַשֻּׁלְחָן.
Close by the rim were the rings, holders for the staves to carry the table.note
Cerca del reborde estaban los anillos, sujetadores para las varas para llevar la mesa.
15
וַיַּעַשׂ אֶת-הַבַּדִּים עֲצֵי שִׁטִּים, וַיְצַף אֹתָם זָהָב, לָשֵׂאת, אֶת-הַשֻּׁלְחָן.
And he made the staves of acacia wood, and overlaid them with gold, to carry the table.note
Y hizo las varas de madera de acacia, y las cubrió de oro, para llevar la mesa.
16
וַיַּעַשׂ אֶת-הַכֵּלִים אֲשֶׁר עַל-הַשֻּׁלְחָן, אֶת-קְעָרֹתָיו וְאֶת-כַּפֹּתָיו וְאֵת מְנַקִּיֹּתָיו, וְאֶת-הַקְּשָׂוֺת, אֲשֶׁר יֻסַּךְ בָּהֵן--זָהָב, טָהוֹר. {פ}
And he made the vessels that were on the table — its dishes, and its pans, and its bowls, and its jars with which to pour out offerings — of pure gold. {פ}note
Y hizo los utensilios que estaban sobre la mesa —sus platos, y sus cucharas, y sus tazónes, y sus jarras con las que verter ofrendas— de oro puro. {פ}
17
וַיַּעַשׂ אֶת-הַמְּנֹרָה, זָהָב טָהוֹר; מִקְשָׁה עָשָׂה אֶת-הַמְּנֹרָה, יְרֵכָהּ וְקָנָהּ--גְּבִיעֶיהָ כַּפְתֹּרֶיהָ וּפְרָחֶיהָ, מִמֶּנָּה הָיוּ.
And he made the lampstand of pure gold; of hammered work he made the lampstand, its base and its shaft; its cups, its knobs, and its flowers were of one piece with it.note
Y hizo el candelabro de oro puro; de obra labrada a martillo hizo el candelabro, su base y su fuste; sus copas, sus botones, y sus flores eran de una sola pieza con él.
18
וְשִׁשָּׁה קָנִים, יֹצְאִים מִצִּדֶּיהָ: שְׁלֹשָׁה קְנֵי מְנֹרָה, מִצִּדָּהּ הָאֶחָד, וּשְׁלֹשָׁה קְנֵי מְנֹרָה, מִצִּדָּהּ הַשֵּׁנִי.
And there were six branches going out of its sides: three branches of the lampstand out of the one side, and three branches of the lampstand out of the other side;note
Y había seis brazos que salían de sus lados: tres brazos del candelabro de un lado, y tres brazos del candelabro del otro lado;
19
שְׁלֹשָׁה גְבִעִים מְשֻׁקָּדִים בַּקָּנֶה הָאֶחָד, כַּפְתֹּר וָפֶרַח, וּשְׁלֹשָׁה גְבִעִים מְשֻׁקָּדִים בְּקָנֶה אֶחָד, כַּפְתֹּר וָפָרַח; כֵּן לְשֵׁשֶׁת הַקָּנִים, הַיֹּצְאִים מִן-הַמְּנֹרָה.
three cups shaped like almond blossoms in one branch, a knob and a flower, and three cups shaped like almond blossoms in the other branch, a knob and a flower — so for the six branches going out of the lampstand.note
tres copas en forma de flor de almendro en un brazo, un botón y una flor, y tres copas en forma de flor de almendro en el otro brazo, un botón y una flor —así para los seis brazos que salían del candelabro.
20
וּבַמְּנֹרָה, אַרְבָּעָה גְבִעִים: מְשֻׁקָּדִים--כַּפְתֹּרֶיהָ, וּפְרָחֶיהָ.
And on the lampstand itself were four cups shaped like almond blossoms, with its knobs and its flowers,note
Y en el candelabro mismo había cuatro copas en forma de flor de almendro, con sus botones y sus flores;
21
וְכַפְתֹּר תַּחַת שְׁנֵי הַקָּנִים מִמֶּנָּה, וְכַפְתֹּר תַּחַת שְׁנֵי הַקָּנִים מִמֶּנָּה, וְכַפְתֹּר, תַּחַת-שְׁנֵי הַקָּנִים מִמֶּנָּה--לְשֵׁשֶׁת, הַקָּנִים, הַיֹּצְאִים, מִמֶּנָּה.
and a knob under two branches of one piece with it, and a knob under two branches of one piece with it, and a knob under two branches of one piece with it, for the six branches going out of it.note
y un botón bajo dos brazos de una sola pieza con él, y un botón bajo dos brazos de una sola pieza con él, y un botón bajo dos brazos de una sola pieza con él, para los seis brazos que salían de él.
22
כַּפְתֹּרֵיהֶם וּקְנֹתָם, מִמֶּנָּה הָיוּ; כֻּלָּהּ מִקְשָׁה אַחַת, זָהָב טָהוֹר.
Their knobs and their branches were of one piece with it; all of it was one piece of hammered work of pure gold.note
Sus botones y sus brazos eran de una sola pieza con él; todo él era una sola obra labrada a martillo de oro puro.
cross-refs⤷ 25:31
23
וַיַּעַשׂ אֶת-נֵרֹתֶיהָ, שִׁבְעָה; וּמַלְקָחֶיהָ וּמַחְתֹּתֶיהָ, זָהָב טָהוֹר.
And he made its seven lamps, and its tongs, and its trays, of pure gold.note
Y hizo sus siete lámparas, y sus despabiladeras, y sus platillos, de oro puro.
24
כִּכָּר זָהָב טָהוֹר, עָשָׂה אֹתָהּ, וְאֵת, כָּל-כֵּלֶיהָ. {פ}
Of a talent of pure gold he made it, and all its vessels. {פ}note
De un talento de oro puro lo hizo, y todos sus utensilios. {פ}
25
וַיַּעַשׂ אֶת-מִזְבַּח הַקְּטֹרֶת, עֲצֵי שִׁטִּים: אַמָּה אָרְכּוֹ וְאַמָּה רָחְבּוֹ רָבוּעַ, וְאַמָּתַיִם קֹמָתוֹ--מִמֶּנּוּ, הָיוּ קַרְנֹתָיו.
And he made the altar of incense of acacia wood: a cubit its length, and a cubit its breadth, square, and two cubits its height; its horns were of one piece with it.note
Y hizo el altar del incienso de madera de acacia: un codo su longitud, y un codo su anchura, cuadrado, y dos codos su altura; sus cuernos eran de una sola pieza con él.
cross-refs⤷ 27:1
26
וַיְצַף אֹתוֹ זָהָב טָהוֹר, אֶת-גַּגּוֹ וְאֶת-קִירֹתָיו סָבִיב--וְאֶת-קַרְנֹתָיו; וַיַּעַשׂ לוֹ זֵר זָהָב, סָבִיב.
And he overlaid it with pure gold, its top, and its sides all around, and its horns; and he made for it a crown of gold all around.note
Y lo cubrió de oro puro, su parte superior, y sus lados alrededor, y sus cuernos; y le hizo una moldura de oro alrededor.
27
וּשְׁתֵּי טַבְּעֹת זָהָב עָשָׂה-לוֹ מִתַּחַת לְזֵרוֹ, עַל שְׁתֵּי צַלְעֹתָיו, עַל, שְׁנֵי צִדָּיו--לְבָתִּים לְבַדִּים, לָשֵׂאת אֹתוֹ בָּהֶם.
And he made for it two rings of gold under its crown, on its two ribs, on its two sides, as holders for staves to carry it with.note
Y le hizo dos anillos de oro bajo su moldura, en sus dos costillas, en sus dos lados, como sujetadores para las varas con que llevarlo.
28
וַיַּעַשׂ אֶת-הַבַּדִּים, עֲצֵי שִׁטִּים; וַיְצַף אֹתָם, זָהָב.
And he made the staves of acacia wood, and overlaid them with gold.note
Y hizo las varas de madera de acacia, y las cubrió de oro.
29
וַיַּעַשׂ אֶת-שֶׁמֶן הַמִּשְׁחָה, קֹדֶשׁ, וְאֶת-קְטֹרֶת הַסַּמִּים, טָהוֹר--מַעֲשֵׂה, רֹקֵחַ. {ס}
And he made the holy anointing oil, and the pure incense of sweet spices, the work of a perfumer. {ס}note
Y hizo el aceite de la santa unción, y el incienso puro de especias aromáticas, obra de un perfumista. {ס}

One name, once, and then twenty-eight verses of ‘he’

‘Bezalel made the ark’ (v1) is the only time this chapter names its craftsman — every verse after this one simply says ‘he made,’ unnamed but understood, all the way to its close. The previous chapter credited the tent’s outer structure to a whole team, ‘every man who was wise of heart’ (Exodus 36:1–2, already on these pages). Here, for the innermost and most sacred furniture — the ark, the cover, the cherubim, the table, the lampstand, the altar of incense — the text narrows to one man, named once and then simply assumed for the rest of the chapter.

The cover and its cherubim are built exactly as promised (Exodus 25:17–22, already on these pages, with its own note on the contrast to Eden’s guardian cherubim); this chapter adds nothing to that theology and does not need to — its whole purpose is simply to report that the promise has now become an object, wings spread, faces bowed toward each other over gold Bezalel personally beat into shape.

⚠ Verse 8 carries a ketiv/qere on the word for ‘its two ends’ — Mechon-Mamre prints the unpointed written form beside the pointed one it is read as, a purely orthographic variant with no change in meaning — kept here as received, an ordinary scribal note surfacing in the middle of an extraordinary object.

A table built to be carried, never to be admired

Every measurement here repeats Exodus 25:23–30, already on these pages, and every vessel — dishes, pans, bowls, jars for pouring — is made, like the ark, of solid gold. ⚠ What the repetition makes newly visible is how much of the design is about MOVEMENT rather than display: a rim to keep things from sliding off in transit, rings placed ‘close by the rim’ specifically so the staves sit high and steady, staves that never come out. This is furniture engineered for a people who are, at every point in this book so far, about to move again. ⚠ The vessel list itself (v16) is a real fork in the shelf, especially its last item: KJV reads ‘his dishes, and his spoons, and his bowls, and his covers to cover withal’; ASV reads ‘the flagons thereof, wherewith to pour out’; NIV and NASB both specify ‘pitchers/jars…to pour out drink offerings.’ The KJV pictures a lid; every other major version pictures a pitcher — two different table settings from the same four Hebrew nouns.

A lamp beaten from a single block of gold, exactly as promised

‘All of it was one piece of hammered work of pure gold’ (v22) repeats, almost word for word, the same claim made three times over about this same object seven chapters earlier (Exodus 25:31–36, already on these pages, whose own note traces this lampstand’s strange afterlife in Zechariah’s night-vision). No solder, no joints, no separate pieces fitted together afterward — base, shaft, six branches, and every almond-shaped cup struck from a single mass of gold. The text does not explain how; it simply repeats the claim until the reader has to take it as a statement about the object’s significance, not just its manufacture.

An altar out of order, and the one recipe measured by smell, not by the ruler

The altar of incense belongs, instruction-wise, to a much later chapter (Exodus 30:1–10, already on these pages) — but here it is built alongside the ark, the table, and the lampstand, not alongside the outer bronze altar its own name most resembles. The chapter groups its furniture by WHERE each piece stands, inside the tent versus outside it, rather than by the order the instructions were originally given. Gold objects for the inner room are built together; the bronze altar for the courtyard waits for its own chapter.

Its horns are ‘of one piece with it’ (v25), the identical phrase already used of the bronze altar’s own horns (Exodus 27:2, already on these pages) — two altars, one gold and one bronze, one inside and one outside, built by the same rule. The chapter closes with the holy anointing oil and incense, ‘the work of a perfumer’ (v29) — the one ingredient list in this whole account that cannot be measured in cubits, made by smell and proportion rather than by a ruler.

Notes on this translation

Decisions.Cover’ kept for kapporet (v6) rather than ‘mercy seat,’ matching this translation’s own earlier choice at Exodus 25:17. ‘Its dishes, and its pans, and its bowls, and its jars with which to pour out offerings’ follows the NIV/NASB line for the disputed vessel list of v16 — see the note above for the real fork in the shelf. ‘Hammered work’ kept literal for miqshah (vv7, 17, 22), matching this translation’s own earlier choice at Exodus 25. The chapter’s four paragraph breaks ({פ} at v9, {פ} at v16, {פ} at v24, {ס} at v29) mark the seam after each finished object: the ark, the table, the lampstand, the altar and oil. Verse numbering follows the Hebrew exactly; Hebrew and English Exodus 37 both run 1–29.

A note on order: Exodus stands on these pages at chapters 1–40 — the innermost furniture of the tabernacle now built by Bezalel’s own hands, named once and then simply assumed: the ark and its cherubim, the table, the solid-gold lampstand, and the altar of incense with its anointing oil. Exodus 38, the bronze altar and the courtyard built at last, and Exodus 39, the priestly garments finally sewn, are now on these pages too. Exodus 40 — the tabernacle raised and the glory of Jehovah filling it, the book’s own last chapter — is now on these pages too. Exodus stands complete here, all forty chapters; the story continues in Leviticus, already begun on these pages.