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Revelation 10 — The Mister Translation

A black-and-white woodcut. In the upper sky, a giant radiant human head, haloed and surrounded by sunburst rays, floats above the scene; just above it, a winged, cloud-wrapped figure appears among heavy clouds, and a pointing hand emerges from the clouds to its left. In the upper-left corner, a small circular medallion frames a miniature architectural structure resembling a colonnaded temple or shrine, with two tiny robed figures beside it. Below the radiant head, two massive stone columns rise directly from a rocky shoreline, planted like legs with no connecting body between them and the head above. At the lower right, a bearded, long-haired man in flowing robes kneels on the rocks among trees, reaching up toward an open book held out by a hand descending from above; at his feet lie a small inkwell, a quill, and another open book or scroll. In the distance, the sea stretches to the horizon with two small sailing ships and what may be a serpent or sea-creature breaking the surface. The artist's monogram, a small AD, appears at the bottom center of the composition.
Saint John Devouring the Book
Albrecht Dürer, 1498 · Metropolitan Museum of Art, New York

Dürer takes 'pillars of fire' completely literally, and dissolves the rest of the angel to do it. The text describes one integrated figure — a being who sets his feet, holds a scroll, raises a hand, and swears an oath (vv1–6) — but this woodcut gives him no connected body at all: two freestanding stone columns plant themselves directly on the shore, a radiant disembodied head floats above them, and a separate cloud-wrapped, winged form hovers higher still. Whether this is meant as one impossible figure the eye can't quite assemble, or three, is a genuine ambiguity of the composition, not the text.

The small circular medallion in the upper-left corner, framing a miniature colonnaded structure, does not obviously correspond to anything in this chapter — this print is one plate in a longer series, and the detail may belong to the book's larger visual program rather than to this scene specifically; this library reports what it shows without claiming certainty about what it means.

John himself is shown already receiving the book at the very moment of the angel's appearance, rather than in the separate approach-ask-receive sequence the text actually gives him (vv8–9) — the same kind of compression Dürer used two chapters earlier, riding four separate summonses as one simultaneous charge (see the note at 6:1–8, already on these pages). At his feet, an inkwell and quill lie unused beside another open book — plausibly the pen John was told to seal up rather than use, two verses earlier (v4), set down within reach of the very moment he's commanded to write nothing at all.

1
Καὶ εἶδον ἄλλον ἄγγελον ἰσχυρὸν καταβαίνοντα ἐκ τοῦ οὐρανοῦ, περιβεβλημένον νεφέλην, καὶ ἡ ἶρις ἐπὶ τὴν κεφαλὴν αὐτοῦ, καὶ τὸ πρόσωπον αὐτοῦ ὡς ὁ ἥλιος, καὶ οἱ πόδες αὐτοῦ ὡς στῦλοι πυρός,
And I saw another mighty angel coming down out of heaven, wrapped in a cloud, with the rainbow on his head; and his face was like the sun, and his feet like pillars of fire,note
Y vi a otro ángel poderoso que descendía del cielo, envuelto en una nube, y el arco iris sobre su cabeza; y su rostro era como el sol, y sus pies como columnas de fuego,
2
καὶ ἔχων ἐν τῇ χειρὶ αὐτοῦ βιβλαρίδιον ἠνεῳγμένον. καὶ ἔθηκεν τὸν πόδα αὐτοῦ τὸν δεξιὸν ἐπὶ τῆς θαλάσσης, τὸν δὲ εὐώνυμον ἐπὶ τῆς γῆς,
and he held in his hand a little scroll, opened; and he set his right foot on the sea, and his left on the land,note
y tenía en su mano un rollito, abierto; y puso su pie derecho sobre el mar, y el izquierdo sobre la tierra,
3
καὶ ἔκραξεν φωνῇ μεγάλῃ ὥσπερ λέων μυκᾶται. καὶ ὅτε ἔκραξεν, ἐλάλησαν αἱ ἑπτὰ βρονταὶ τὰς ἑαυτῶν φωνάς.
and he cried out with a great voice, as a lion roars. And when he cried out, the seven thunders spoke their own voices.note
y clamó con una gran voz, como ruge un león. Y cuando clamó, los siete truenos hablaron con sus propias voces.
4
καὶ ὅτε ἐλάλησαν αἱ ἑπτὰ βρονταί, ἤμελλον γράφειν· καὶ ἤκουσα φωνὴν ἐκ τοῦ οὐρανοῦ λέγουσαν· Σφράγισον ἃ ἐλάλησαν αἱ ἑπτὰ βρονταί, καὶ μὴ αὐτὰ γράψῃς.
And when the seven thunders spoke, I was about to write; and I heard a voice out of heaven, saying, ‘Seal up what the seven thunders spoke, and do not write it.’note
Y cuando los siete truenos hablaron, yo estaba a punto de escribir; y oí una voz del cielo que decía: «Sella lo que dijeron los siete truenos, y no lo escribas».
5
καὶ ὁ ἄγγελος, ὃν εἶδον ἑστῶτα ἐπὶ τῆς θαλάσσης καὶ ἐπὶ τῆς γῆς, ἦρεν τὴν χεῖρα αὐτοῦ τὴν δεξιὰν εἰς τὸν οὐρανόν,
And the angel whom I saw standing on the sea and on the land raised his right hand to heaven,note
Y el ángel que vi de pie sobre el mar y sobre la tierra levantó su mano derecha al cielo,
6
καὶ ὤμοσεν τῷ ζῶντι εἰς τοὺς αἰῶνας τῶν αἰώνων, ὃς ἔκτισεν τὸν οὐρανὸν καὶ τὰ ἐν αὐτῷ καὶ τὴν γῆν καὶ τὰ ἐν αὐτῇ καὶ τὴν θάλασσαν καὶ τὰ ἐν αὐτῇ, ὅτι χρόνος οὐκέτι ἔσται·
and swore by him who lives forever and ever, who created heaven and the things in it, and the earth and the things in it, and the sea and the things in it, that there would be no more delay;note
y juró por el que vive por los siglos de los siglos, que creó el cielo y lo que hay en él, y la tierra y lo que hay en ella, y el mar y lo que hay en él, que ya no habría más demora;
7
ἀλλʼ ἐν ταῖς ἡμέραις τῆς φωνῆς τοῦ ἑβδόμου ἀγγέλου, ὅταν μέλλῃ σαλπίζειν, καὶ ἐτελέσθη τὸ μυστήριον τοῦ θεοῦ, ὡς εὐηγγέλισεν τοὺς ἑαυτοῦ δούλους τοὺς προφήτας.
but in the days of the voice of the seventh angel, when he is about to sound his trumpet, the mystery of God would be finished, as he announced good news to his own slaves the prophets.note
sino que en los días de la voz del séptimo ángel, cuando esté a punto de tocar la trompeta, el misterio de Dios se cumpliría, tal como anunció como buena nueva a sus propios esclavos los profetas.
8
Καὶ ἡ φωνὴ ἣν ἤκουσα ἐκ τοῦ οὐρανοῦ, πάλιν λαλοῦσαν μετʼ ἐμοῦ καὶ λέγουσαν· Ὕπαγε λάβε τὸ βιβλίον τὸ ἠνεῳγμένον ἐν τῇ χειρὶ τοῦ ἀγγέλου τοῦ ἑστῶτος ἐπὶ τῆς θαλάσσης καὶ ἐπὶ τῆς γῆς.
And the voice that I heard out of heaven spoke to me again, and said, ‘Go, take the scroll that is opened in the hand of the angel standing on the sea and on the land.’note
Y la voz que oí del cielo me habló otra vez, y dijo: «Ve, toma el rollo que está abierto en la mano del ángel que está de pie sobre el mar y sobre la tierra».
9
καὶ ἀπῆλθα πρὸς τὸν ἄγγελον λέγων αὐτῷ δοῦναί μοι τὸ βιβλαρίδιον καὶ λέγει μοι· Λάβε καὶ κατάφαγε αὐτό, καὶ πικρανεῖ σου τὴν κοιλίαν, ἀλλʼ ἐν τῷ στόματί σου ἔσται γλυκὺ ὡς μέλι.
And I went to the angel, telling him to give me the little scroll. And he said to me, ‘Take it, and eat it up; and it will make your stomach bitter, but in your mouth it will be sweet as honey.’note
Y fui hacia el ángel, diciéndole que me diera el rollito. Y me dijo: «Tómalo, y cómetelo; y te amargará el vientre, pero en tu boca será dulce como la miel».
10
καὶ ἔλαβον τὸ βιβλαρίδιον ἐκ τῆς χειρὸς τοῦ ἀγγέλου καὶ κατέφαγον αὐτό, καὶ ἦν ἐν τῷ στόματί μου ὡς μέλι γλυκύ· καὶ ὅτε ἔφαγον αὐτό, ἐπικράνθη ἡ κοιλία μου.
And I took the little scroll out of the angel’s hand and ate it up, and it was in my mouth sweet as honey; and when I had eaten it, my stomach was made bitter.note
Y tomé el rollito de la mano del ángel y me lo comí, y era en mi boca dulce como la miel; y cuando lo comí, se me amargó el vientre.
11
Καὶ λέγουσίν μοι· Δεῖ σε πάλιν προφητεῦσαι ἐπὶ λαοῖς καὶ ἔθνεσιν καὶ γλώσσαις καὶ βασιλεῦσιν πολλοῖς.
And they said to me, ‘You must prophesy again about peoples and nations and languages and many kings.’note
Y me dijeron: «Es necesario que profetices de nuevo sobre pueblos, y naciones, y lenguas, y muchos reyes».

Translator’s Notes

Verses 1–2 · a figure who looks like Christ, and one word that argues he isn’t · ἄλλον ἄγγελον ἰσχυρὸν… ὡς ὁ ἥλιος allon angelon ischyron… hōs ho hēlios

Is this angel Christ? The description borrows real pieces of him: a face ‘like the sun’ matches the risen Christ almost word for word (‘his face was like the sun shining in its strength’, 1:16, already on these pages), and the rainbow recalls the one already circling God’s own throne (4:3, already on these pages) — though there it wraps the whole throne, here it sits on one figure’s head, and the feet here are pillars of fire, not the fine bronze of 1:15. Two details argue the other way, more plainly. First, the Greek itself: this is ‘ANOTHER mighty angel’ (allon angelon ischyron) — the identical phrase, minus ‘another’, already named a figure who is unmistakably not Christ, proclaiming ‘who is worthy to open the scroll’ while the Lamb still waits to be found (5:2, already on these pages). Second, this angel swears an oath (v6) — the very thing Christ himself forbids his followers, in the same breath naming heaven, earth, and one’s own head as things too sacred to swear by (Matthew 5:34–37, already on these pages). This translation reports both readings and settles on neither; the text itself never says.

The little scroll he holds, already open, is the chapter’s other real puzzle — see the note at v8 below for the word itself splitting even within this one chapter’s own manuscripts.

Verses 3–7 · the one thing an Unveiling keeps veiled, and one Greek word worth a whole shelf of disagreement · Σφράγισον… χρόνος οὐκέτι ἔσται Sphragison… chronos ouketi estai

Sealed on purpose, in a book named for unveiling. This whole document calls itself an apokalypsis — an unveiling, a pulling-back of the curtain (see the note at 1:1, already on these pages) — and here, once, that curtain is pulled back further only to be dropped again: John is told to hear the seven thunders, start to write, and then seal up exactly what he heard and never write it. The book that discloses nearly everything keeps this one thing to itself. No content is even hinted at; the silence is the point.

‘No more delay’, or ‘time will be no more’? One Greek word, chronos, and a real translation choice, not a manuscript variant — the Greek text itself is not in question, only what the word means in context. Read alongside v7’s ‘but’ (the mystery of God WOULD be finished, in the days of the seventh trumpet), the sentence reads most naturally as an end to WAITING, not an end to time as such — this translation’s choice, ‘no more delay’. Shelf: ASV, NIV, ESV, and NWT (‘there would be no more delay’) all agree; KJV, the Geneva Bible, and the Douay-Rheims all print the older, literal ‘time… no longer’ — the reading behind the famous apocalyptic phrase ‘time shall be no more’. The Spanish shelf splits the identical way: TNM reads ‘ya no habrá más demora’ (no more delay); RV60 keeps the literal ‘el tiempo no sería más’ (time would be no more).

The oath itself is sworn by the Creator of heaven, earth, and sea in one breath — the same three-part inventory Egypt’s first plagues struck in reverse order (see the notes two chapters back, 8:7–12, already on these pages) — now invoked as the guarantee that what comes next is certain, not merely likely. And what the mystery’s completion is called, v7’s verb euēngelisen, is literally ‘he GOSPELED’ — the same verb family as ‘good news’ itself, folded into a sentence about trumpets, judgment, and an ending. Even here, the word the text reaches for is good news.

Verses 8–10 · a scroll that can’t decide its own size, and Ezekiel eating one first · τὸ βιβλίον… τὸ βιβλαρίδιον to biblion… to biblaridion

The Greek itself wavers on what to call this scroll, inside a single chapter. Everywhere else it is biblaridion, a genuine diminutive — ‘a LITTLE scroll’ (vv2, 9, 10). At v8 alone, the oldest and best manuscripts read plain biblion — the exact word, with no diminutive at all, used for the great sealed scroll of chapter 5 that only the Lamb was found worthy to open (5:1, already on these pages). Scholars disagree over what follows from this: some read it as the very same scroll, now fully opened, handed on for one more task; most read a smaller scroll modeled on the larger one, echoing its shape without being it. The text itself never clarifies which — and the one verse where the words nearly collide (v8) is the verse where a real textual choice has to be made.

Eating a scroll is not a new image. Centuries earlier, a prophet on a foreign riverbank was handed a scroll and commanded, ‘eat what I give you’, then found it ‘sweet as honey’ in his mouth (Ezekiel 2:9–3:3, not yet on these pages) — before that same prophet went out to speak to a people who would not listen, and the sweetness soured. John’s scroll follows the identical order — sweet in the mouth first, bitter in the stomach after — but adds the second half Ezekiel’s account never states outright: the taste changes only once the message has actually been swallowed and starts doing its work.

Verse 11 · a plural voice, and a commission that reaches past this book’s own borders · λέγουσίν μοι… ἐπὶ λαοῖς καὶ ἔθνεσιν καὶ γλώσσαις καὶ βασιλεῦσιν πολλοῖς legousin moi… epi laois kai ethnesin kai glōssais kai basileusin pollois

‘They’ said it — who? Every voice in this chapter has been singular until now: the angel, then the voice from heaven. Verse 11’s legousin is plural, with no new speaker introduced — an unmarked shift the text does not explain. Peoples, nations, languages, and kings is close to a stock phrase in this book (it recurs at 11:9, already on these pages; 13:7, 17:15, whenever those chapters are translated), naming the whole reach of a prophetic commission that stretches well past the seven congregations this letter was originally addressed to (1:11, already on these pages). The eating of the scroll was not the end of the assignment. It was the qualification for a bigger one.

Patterns worth carrying forward

Where this translation makes a real choice: ‘no more delay’ for v6’s chronos ouketi estai, siding with ASV/NIV/ESV/NWT/TNM against the older ‘time… no longer’ of KJV/Geneva/Douay/RV60 — a translation judgment call, not a manuscript variant, flagged and argued for rather than silently adopted.

Echoes paid. The face ‘like the sun’ and the rainbow both reach back to Christ’s own description (1:16) and the throne’s (4:3); the phrase ‘another mighty angel’ (v1) deliberately echoes the non-Christ ‘mighty angel’ of 5:2; and the great sealed scroll of 5:1 returns, unsealed, in the one verse (v8) where the Greek itself drops ‘little’ and calls it by the same bare name.

Echoes planted. The seven thunders’ sealed words (v4) are never unsealed anywhere in this book — the one door this Unveiling never opens. And v11’s commission to ‘peoples and nations and languages and many kings’ sets up the two witnesses who prophesy to exactly that scale, one chapter from here.

⚠ Left open on purpose. Whether the mighty angel of v1 is Christ or a created angel who merely echoes him — the library reports the case both ways and settles on neither. And whether v8’s bare ‘the scroll’ is chapter 5’s own scroll handed on, or a smaller one merely modeled on it, is a scholarly disagreement this text does not resolve.

Next installment in this book: Revelation 11, where two witnesses prophesy in sackcloth for 1,260 days, are killed by the beast that comes up from the Abyss this chapter opened, and rise again in full view of the nations — and the seventh trumpet finally sounds, paying the third woe this chapter left owing.