Exodus 2 — The Mister Translation
Translator's Notes — verse by verse
Each note explains this translation's choice and compares the seven versions on the shelf. Quotations from copyrighted versions (NIV, TLB, NWT) are kept to short phrases for comparison; KJV, Geneva, Douay-Rheims and ASV are public domain.
Saved through the water, in an ark — twice in the Bible, and this is the second. The basket the mother waterproofs and floats her baby in is a tevah — and that word occurs in only two stories in all of scripture: Noah's ark (Genesis 6–9) and this. This translation keeps it "ark" in both, with the NWT and against the KJV, which reads "ark" for Noah but "ark of bulrushes" here and so half-hides the link. The echo is the whole point: humanity is carried through the flood in a tevah of gopher wood sealed with pitch (6:14); Israel's deliverer is carried through the death-waters of the Nile in a tevah of papyrus sealed with pitch — a tiny ark on the very river Pharaoh made a grave. And she sets it "among the reeds" — suph — the same word that will name the sea Israel walks through dry: the Yam Suph, the Sea of Reeds. The baby in the reeds, the nation at the reed-sea: the book plants its ending in its opening. One more quiet seam: the mother "saw him, that he was good" (ki tov) — the exact phrase God speaks over the light on the first day (1:4).
The name, and the Egyptian under it. Pharaoh's daughter names him Moshe and gives a Hebrew reason: "because I drew him out (meshitihu)" — from mashah, "to draw out." But the wordplay sits on top of something the story does not hide: the name is Egyptian. Mose / mes means "born of, son" — it is the very element in Thut-mose ("born of Thoth"), Ah-mose, and Ra-messes ("born of Ra") — so an Egyptian princess names her adopted son with a perfectly Egyptian name (likely with a god's name once attached and dropped). Even the Hebrew pun points at the seam: Mosheh is an active form, "the one who draws out," not the passive "drawn out" (mashuy) the story's reason would require — the mark of a Hebrew wordplay laid over a genuinely Egyptian name. Far from an embarrassment, that Egyptian name is a fingerprint of authenticity: a later writer inventing a national hero would not hand him a foreign name betraying an Egyptian upbringing. The encyclopedia's Moses entry gathers this, and, following Joel Kramer of Expedition Bible, sets the prince in the 18th-dynasty court of the early date. Buried in the middle of it: the princess pays the baby's own mother to nurse him — Israel's rescue funded from Pharaoh's household, one of scripture's driest ironies.
The deliverer's false start. Moses, grown and Egyptian-raised, "goes out to his brothers" and chooses them — Hebrews 11:24-25 will read this as the great renunciation, refusing "to be called the son of Pharaoh's daughter." But his first act of deliverance is a murder: he kills the Egyptian and hides him "in the sand," and looks "this way and that" first — a man who wants no witness, not yet a man who acts before God. The rebuke that unmasks him is sharp: "Who set you as a prince and a judge over us?" — and the terrible joke is that God will, forty years on; the question is right and wrong at once. Stephen quotes it in his last sermon (Acts 7:27-35): the man Israel rejected as ruler is the very man God sends as ruler and redeemer. "The thing is known" — and Moses, the prince, becomes a fugitive with a price on his head, the second time this book sends its savior fleeing Pharaoh (the first was the babies in the river).
A well, seven daughters, and the third betrothal at a well. Moses flees to Midian and "sits down by the well" — and any Israelite reader knows what happens next, because it has happened twice already: a stranger meets his future wife at a well (Abraham's servant finds Rebekah, Genesis 24; Jacob finds Rachel, Genesis 29). Here the future deliverer waters a flock and is given Zipporah, daughter of the priest of Midian — called Reuel here ("friend of God") and Jethro elsewhere (a name, and a title, "his excellency" — the shelf and the tradition have long noticed the two names). The daughters report that "an Egyptian delivered us" — Moses now passes as an Egyptian to Midianites, a Hebrew to Egyptians, at home nowhere. And he says so in his son's name: Gershom — "for I have been a resident alien (ger) in a foreign land." That is Abraham's own word for himself, buying a grave in the land of promise (23:4) — the patriarch's statelessness handed down to the man who will end it. Note, too, the verb the narrator uses for Moses at the well: he "saved them" (yasha) — the deliverer already delivering, on a small scale, long before the sea.
Four verbs, and the whole book turns. The chapter ends not with Moses but with God, and with four verbs that are the hinge of the entire Exodus. The king of Egypt dies — on the early date this translation follows, this is Thutmose III, freeing Moses to return (the very words God will use in 4:19, "all the men who sought your life are dead"). The people cry out (their groan from the bondage) — and then, in a rising drumbeat: "God heard… God remembered his covenant… God saw… and God knew." The remembering is not that God had forgotten; zakhar here means to act on a covenant now come due — the covenant cut with Abraham between the pieces, which had foretold this very slavery and this very deliverance (17:7). And the last verb is left almost bare — "and God knew" (vayyeda Elohim); KJV fills it out to "God took cognizance," but the Hebrew simply stops there, the sentence's object swallowed: God knew. The forty silent years of Midian are over; the God who heard is about to speak, at a bush that burns.
Patterns worth carrying forward
Where this translation keeps the words distinct / exact: "an ark of papyrus" for tevah (with the NWT, keeping it the same word as Noah's ark — KJV's "ark of bulrushes" hides the link); "among the reeds" for suph, the Yam-Suph word; "a resident alien" for ger (as at Genesis 23, kept consistent); "God knew" for the bare vayyeda Elohim (KJV "took cognizance," which fills the silence the Hebrew leaves).
Where it goes its own way: "Moses" with its Egyptian sense flagged (mose, "born of," under the Hebrew pun on mashah); "he was good" for ki tov, to let the creation-phrase be heard; "the one in the wrong" for rasha (KJV "him that did the wrong"); Reuel and Jethro both kept as the text and tradition give them.
Echoes paid and planted. Paid: the tevah / ark — saved through the water, as Noah was (6:14); "good," the creation-word (1:4); Gershom, the ger of Abraham (23:4); and the covenant remembered — the one cut with Abraham (17:7), now come due. Planted: the reeds (suph), waiting for the sea; Midian and the priest's flock, waiting for a bush on the mountain (ch. 3); Moses the fugitive "prince and judge," whom God will make exactly that; and "God knew," waiting for a Name.
Next installment in this book: Exodus 3 — the bush that burns and is not consumed, holy ground, and the Name itself: "I am that I am."
A dramatized retelling — The Ten Commandments (1956), dir. Cecil B. DeMille, offered alongside the chapter as a companion. It is a film, not archaeology — an interpretation of the story, kept separate from the on-site footage on the site's place entries. (Embedded from a third-party upload; it may move or disappear.)
A dramatized retelling — The Ten Commandments (1956), dir. Cecil B. DeMille, offered alongside the chapter as a companion. It is a film, not archaeology — an interpretation of the story, kept separate from the on-site footage on the site's place entries. (Embedded from a third-party upload; it may move or disappear.)